This lantern installation draws inspiration from a traditional Korean folktale in which a tiger, seeking to eat a young child, pursues them up into the sky—where they are transformed into the sun and the moon. This ancient story has been passed down through generations across the Korean peninsula, embedding itself into the nation’s collective imagination.
In this reinterpretation, the sun and moon are represented alongside the tiger, with the entire composition suspended by a separate wire system, raising the installation to a height of 30 meters. At first glance, the unusual composition and form of the lanterns may seem mysterious, as though they carry layered meanings beneath their vivid shapes. Much like the works of Cubist painters, these lanterns attempt to reimagine familiar forms in pursuit of new beauty, merging narrative with abstraction.
In traditional Korean culture, the tiger (ho, 호) was seen as both a sacred guardian and a fearsome threat. The phrase “호환” (literally “tiger disaster”) reflects a cultural memory of fear and awe toward this powerful creature. In times of hardship, even children dreamed of escaping to the heavens—an ideal realm free from danger. In this light, the tale of the children ascending to become celestial bodies can be read as a reflection of societal longing: a yearning for safety, transcendence, and peace.
So then—what does the tiger symbolize in this moment? Is it simply a predator, or does it embody something deeper? Perhaps it is fear itself, transformed through story into light—casting both shadow and meaning across the sky.