Skip to main content

Humanoid Roof Guardians from the Hoeamsa Temple Site

Japsang are ornamental figurines typically placed on the descending ridge (naerimmaru) or corner ridge (chuneomaru) of traditional Korean buildings. These figures most commonly depict animals or human-like characters. The number of japsang installed on a building depends on its prestige, but by architectural convention, they must always be placed in odd numbers, typically in sequences of 3, 5, 7, or 11 per side.

Most of the japsang known today were installed on late Joseon Dynasty palace buildings. These figures are often modeled after characters from the Chinese classic novel Journey to the West or based on local folk deities. The typical order of placement from the front includes:



Tang Sanzang (Samjang Beopsa), Sun Wukong (Son Haengja), Zhu Bajie (Jeo Palgye), Sha Wujing (Sahwa-sang), White Dragon Horse (Mahwa-sang), Three-Killer Bodhisattva (Samsal Bosal), Two-Headed Dragon (Iguryong), Pangolin (Cheonsangap), Two-Faced Demon (Igwibak), and Beast-Headed Ogre (Natodu).

However, the japsang excavated from the Hoeamsa Temple Site in Yangju differ significantly in form and variety from those of the late Joseon period. These differences reflect the unique characteristics of the site and its historical value. We warmly encourage you to visit the Hoeamsa Temple Site Museum with your family and children to create meaningful and memorable cultural experiences.



Compared to the japsang still found on palace rooftops today, the figures from Hoeamsa are more realistic in appearance and display exceptionally refined carving techniques. To date, six distinct types have been identified:

  • 1 humanoid japsang resembling a warrior in armor

  • 2 hybrid japsang with human faces and the bodies of birds or fish

  • 3 animal-shaped japsang representing birds, fish, or beasts

Interestingly, these japsang more closely resemble roof guardian figures from China’s Ming and Qing Dynasties (known as zhushu) than those from Korea’s late Joseon period. However, key differences remain: for example, no figures of immortals riding phoenixes, which are common in Chinese roof ornamentation, have been found at Hoeamsa. Instead, uniquely Korean figures such as military officials and merchant-rider hybrids—which do not appear in Chinese traditions—were unearthed in notable numbers.


Popular posts from this blog

Admiral Yi Sun-sin and the Turtle Ship

Admiral Yi Sun-sin, known posthumously as Chungmugong, is celebrated as a national hero who saved Korea from the brink of collapse during the Japanese invasions of the Imjin War. This conflict was an international war in which Joseon and Ming China allied to repel Japan’s invasions. Beginning in the 25th year of King Seonjo’s reign (1592), Japan launched two major invasions of Joseon, the first breaking out in the year of Imjin, hence the name Imjin War . Admiral Yi personally commanded every battle he fought, achieving an unprecedented record of consecutive victories unmatched in world naval history. His strategies are so renowned that they continue to be studied in naval academies in the United States, Britain, Japan, and beyond. So closely linked are Admiral Yi and the turtle ship ( geobukseon ) that one is often invoked in reference to the other. Even today, a turtle ship is displayed near the statue of Admiral Yi at Gwanghwamun in Seoul. Japanese soldiers once called it mekura bu...

The Golden Axe and the Silver Axe

The Golden Axe and the Silver Axe is one of Aesop’s fables, and it is also known by the title Hermes and the Dishonest Woodcutter . This tale is often staged as a scene in which a mountain spirit appears and presents a golden axe and a silver axe. Long ago, in a remote village deep in the mountains, there lived a kind woodcutter. One day, while chopping wood, his hand slipped and his axe fell into a pond. As he stood there, troubled and distressed, a mountain spirit appeared and asked what had happened. After hearing the story, the spirit rewarded the honest woodcutter by giving him both a golden axe and a silver axe as gifts. When a wicked woodcutter heard the news, he came to the same pond and deliberately dropped his own axe into the water. When the mountain spirit appeared again, the wicked woodcutter lied. In the end, he could not even get back his iron axe.

Traditional Hanji Lantern Inspired by a Korean Folktale - Granny Red Bean Porridge and the Tiger

This year’s lantern is a traditional Hanji lantern inspired by one of the most beloved Korean folktales among children: Granny Red Bean Porridge and the Tiger . Once upon a time, deep in the mountains, there lived an old woman who cultivated red beans. She was so skilled at making red bean porridge that people called her “Granny Red Bean Porridge.” One peaceful day, a tiger the size of a house suddenly appeared and threatened to eat her. Granny pleaded, “I don’t mind dying, but if I do, who will make this delicious porridge? Come back in the snowy winter. You can enjoy the porridge then—and eat me if you still want to.” She barely managed to persuade the tiger to leave. Left with no one to turn to, the old woman wept alone. Just then, the items in her home—her carrying frame, a straw mat, an awl, some dung, an egg, and even a softshell turtle—gathered around and told her not to worry. When winter came and the tiger returned on the day of the winter solstice, Granny and her loyal “fri...